Actor Brandon Black (“Dear White People,” “Insecure”) is aware that his performance in Tyler Perry’s new film “A Madea Homecoming” as the first openly gay character in the history of the 23-year-old franchise is bigger than entertainment. 

The San Diego native makes his feature film debut in Perry’s 12th film anchored by his on-screen comedic drag persona Mable “Madea” Simmons, and in Perry’s continued partnership with streaming giant Netflix. “A Madea Homecoming” centers around Madea's great-grandson Tim’s (Black) college graduation. The celebratory moment hits a halt as hidden secrets and family drama threaten to destroy the happy homecoming. The film features veterans of the Madea franchise, including Tamela Mann (Cora), David Mann (Mr. Brown), Cassi Davis Patton (Aunt Bam) as well as a guest appearance from iconic Irish actor Brendan O'Carroll, who matches Madea's comedic prowess as Agnes Brown.

Black, who is a member of the LGBTQ+ community and identifies as gay, is clear about the message he wants audiences, particularly Black LGBTQ+ people to receive while watching the film. 

“I want people to see stories where Black gay men aren't always doused in shame and pain,” Black says. 

In similar parallels to Tim, the character he plays in “Homecoming,” Black says his journey towards embracing his sexuality has made him empathetic to the many reasons why closeted LGBTQ+ people fear coming out. 

“Tim was scared to tell his family. I was scared to tell my family. I told my family last. I was a whole gay man in L.A. before I told my family anything,” he said. “The family that I'm close with has embraced me. And whoever doesn’t like it can go somewhere.”

One of the hurdles Black says he had to overcome before he stepped into his full authentic self was the invisibility of Black gay men as possibility models for his future in film and television. That was before he saw a representation of himself on the small screen in 2004. 

“The first person I saw that made me say, oh, maybe that's me, was Karamo [Brown] on The Real World [Philadelphia],” he said, further highlighting the importance of diverse representation that includes LGBTQ+ characters in mainstream media. 

With the majority of Perry’s African-American female fan base identifying as Christian, Black is hopeful that the humanity of his character will resonate with Perry’s core audience and move those who routinely condemn LGBTQ+ people towards acceptance. 

“This film is all about acceptance. For the church-going community, we're going to see these people accept and embrace Tim. It’s not enough to [simply] tolerate somebody for being themselves. It's not enough for your family. Your family has to do more than tolerate you being gay,” Black says. “When you tolerate people, you don’t ask them about who they’re dating, but you ask their [straight] cousin who they're dating. It's all these micro things I hope that people see aren't enough.”

In an interview with Entertainment Weekly, Perry spoke about the inclusion of Black’s character in the script for “Homecoming” and used the opportunity to get ahead of any potential pushback from fans. 

"How long does it have to be before you understand something?" says Perry, referring to those who harbor anti-LGBTQ sentiment. "Even if you don't understand, be open... I just think that if everything gets accepted in love, then you get a chance to see the person for who they are rather than what you think they are."

Filming In The Black Gay Mecca 

In a Tyler Perry Film, everything moves at lightning speed. Perry is known for and routinely criticized for shooting his television shows and feature films in two weeks or less. And according to Black, who admits to having quite a bit of nervous energy between his flight from L.A. to his first day on set in Southwest Atlanta at Tyler Perry Studios, the filming schedule for “Homecoming” was no exception. 

“It was supposed to be an 11-day shoot, but we did it in seven,” Black says. “It moved so fast, we didn't even have a table read. We had a zoom meeting when everybody was cast and I got to see everyone. But you show up on the first day and it's time to act with everybody. But they were all so welcoming and so settled,” he said. 

While most of the film was shot on Perry’s historic studio lot, Atlanta residents will recognize exterior shots around the Atlanta University Center and both interior and exterior shots at Red Lobster restaurant inside Camp Creek Marketplace. 

It was all a whirlwind for Black, who experienced a series of firsts during filming. It was his first time working with Perry, his first time in Atlanta, and his first time experiencing the amount of sugar Southerners appreciate having in their drinks. 

“I got some wings while I was out there and some peach drank,” he said. “I got the lemon pepper wet. She [restaurant employee] said, ‘You gotta say wet,’” as Black conjures up his best Southern accent with a heavy emphasis on the “e,” in wet. 

But what he didn’t get to experience was the side of Atlanta that has earned the city a reputation for being the “Black Gay Mecca.”

“This was my first feature film, and I wasn’t trying to get COVID,” he said. “I want to experience the Black Gay Mecca in a bigger way next time.” 

This may be Black’s first feature film, but it surely won’t be his last. As an openly gay actor at the start of his career, Black wants to be a part of the ever-changing Hollywood landscape that creates space for actors to be authentic on and off the screen. 

“A lot of people in the past found this moment to be their peak and the end,” he said. “I don't see that for me. I see bigger things after this. I do think the industry has changed. I'm trying to be a part of changing it further. Did y’all know that it could be a Michael B. Jordan [character actor] and he could be gay? Y’all thought it had to be, like, Billy Porter, and we want Billy Porter here. We want Lil Nas X and we want Frank Ocean and Tyler The Creator. I’m hoping to push the idea that it’s a lot more than you thought, and I want to encourage all of those people to come out.”

With a shift in how LGBTQ+ storylines are handled in Perry’s creative universe with “Homecoming,” Black is hopeful about the real-life implications the film can have in the lives of Black LGBTQ+ people who love unconditionally only to not receive the same love in return. 

“Hopefully movies like this with the amount of commercial viability it has will put into people's minds another picture, another option that can happen,” Black says. “You could come out and it could be completely different than you thought.”

Tyler Perry’s “A Madea Homecoming” is available for global streaming on Friday, February 25 on Netflix.