Sandwiched in an alleyway on the northeast side of Washington D.C., Black queer, gay, and lesbian artists like Wayson Jones cultivated fertile ground in a coffeehouse. What they did in the cramped space is the stuff of legends, yet the coffeehouse is long gone—much like the city of old. A documentary recently released online captures what the coffeehouse meant—and continues to mean—to Washington, D.C. as well as to Black and queer histories.

"Fierceness Served! The ENIKAlley Coffeehouse" has been making its rounds at select screenings. The ENIKAlley Coffeehouse was a performance and rehearsal space for a cohort of artists, a gathering spot; plus a meeting place for political organizations. This was almost hallowed ground for Black artists to share and workshop their craft. Jones, Essex Hemphill, Cheryl Clarke, Audre Lorde, Blackberry, Casselberry-Dupree, and Pomo Afro Homos all stepped foot into the former carriage house-turned-coffeehouse between 8th, 9th, I, and K Streets, NE. The space at 816 Eye Street, NE was brick, the size of a large walk-in closet, but had great acoustics.

"The intimacy lent itself to that feeling of being part of the family," Jones said.

The film "Fierceness Served! The ENIKAlley Coffeehouse," celebrates this time.