When most people envision a tattoo artist, the image of a white male—probably young, possibly a metal fan, and unquestionably heterosexual—comes to mind.

And then there’s Oba Jackson, a tattoo artist flying in the face of expectations both inside and outside the industry.

He’s big—6’3” to be exact—with a penchant for unique fashion a la Grace Jones. He’s unapologetically Black, his social media peppered with “power to the people” fists and exclamations against racist stereotypes in tattooing. He’s gay, looking forward to his 15th anniversary with his hairstylist husband, this spring.

Perhaps most importantly, he’s the owner of Push Tattoo Studio, a Wilmington, Del. shop working to create more inclusion in an industry that’s long been considered a white boy’s club.