Out On Film

Black Queer Filmmaker Brings Shattering Romance ‘Nana’s Boys’ to Out On Film

For just about everyone, year one of the Coronavirus pandemic bought both losses and gains. Self-described “outrageous storyteller” Ashton Pina was no exception: Starting the lockdown as an up-and-coming communications professional in a committed relationship, the queer storyteller ultimately ended the first chapter of the Covid crisis as an unemployed, single man.

From those losses, however, came one tremendous gain—the framework for a cinematic exploration of love and transition that, until recently, had only lived in his very creative head.

The fruit of his journey materializes in “Nana’s Boys,” a feature-length film – his first – set to make its local debut at Out on Film in Atlanta this month. In it, Pina explores themes of beginnings and endings, artifice and reality, hope and despair, all against the backdrop of a seasoned relationship between two Black gay men.

Black Queer Filmmaker Brings Shattering Romance ‘Nana’s Boys’ to Out On Film

‘Smoke, Lilies & Jade:' Queer Harlem Renaissance Short To Make Atlanta Debut At Out On Film

After a successful world premiere at Outfest in Los Angeles, the cast and creative team behind the new short film “Smoke, Lilies, and Jade” are preparing to screen their lush queer Harlem Renaissance drama for Atlanta audiences during the annual Out On Film Festival on September 26, at Landmark Midtown Arts Cinema. Directed and produced by married filmmaking duo Quincy LeNear Gossfield and Deondray Gossfield (The DL Chronicles, FLAMES), and adapted for the screen by writer Robert Philipson from Richard Bruce Nugent's short story by the same name. The film also includes voice narration by Emmy award winner Billy Porter (POSE, Cinderella).

‘Smoke, Lilies & Jade:' Queer Harlem Renaissance Short To Make Atlanta Debut At Out On Film

First-Time Filmmaker Brings Tenderness, Vulnerability of Black Gay Love To the Screen In “Bill & Robert”

New York City based poet, writer, and first time filmmaker Kamaria J. Hodge could have let fear and inexperience stop her from stepping into the director’s chair, but not only would that have been an affront to her gift as an artist, it would have deprived the world of the beautiful gift that is “Bill & Robert,” the short film that serves as Hodge’s directorial debut and is scheduled to make it’s Atlanta premiere during the virtual Out On Film Festival kicking off on September 24.

  First-Time Filmmaker Brings Tenderness, Vulnerability of Black Gay Love To the Screen In “Bill & Robert”