Party Boi

In ‘BLACK AS U R,’ LGBTQ Filmmaker Micheal Rice Turns A Rageful 2020 Into A Gripping Documentary

For Black gay filmmaker Micheal Rice, 2020 was a tipping point.

Like the rest of the world, the Brooklyn-based documentarian (“party boi,” “black diamonds in ice castles”) began the first quarter of 2020 avoiding transmission of the coronavirus by isolating himself under strict quarantine guidelines by state and federal officials as COVID-19 cases and deaths in New York City soared. It was a safety precaution implemented to curb the spread of one deadly virus while another continued to rage, leaving Rice and other Black and queer people susceptible to state-sanctioned violence and a never-ending loop of Black trauma on the evening news. Although Rice says he felt powerless at the time, he knew he had to use his artistry to respond. “Black AS U R,” Rice’s new documentary film premiering at Outfest Fusion QTBIPOC Film Festival in April, is his response.

“BLACK AS U R” weaves through the complexities of Black queerness by taking audiences on a journey through the homophobia that penetrates many Black spaces. The film examines the impact of HIV stigma, sex work, suicide, bullying, and acts of violence against Black trans people, including the vicious mob attack of Iyanna Dior at a convenience store in St. Paul, MN only days after the fatal killing of George Floyd in neighboring Minneapolis. The film also features the first time a documentary has highlighted the story of Dominque Rem’mie Fells, a young Black trans woman whose murder reignited the “Black Trans Lives Matter” movement of 2020.

In ‘BLACK AS U R,’ LGBTQ Filmmaker Micheal Rice Turns A Rageful 2020 Into A Gripping Documentary