“That woman left her son.” I was haunted, and pleasantly surprised by those words from my mother. I’d emerged from a week of work doing technical production on a virtual presentation of the play “Before It Hits Home". CNP partnered with Kenny Leon’s True Colors Theater and Georgia Equality to produce this virtual screening in honor of National Black HIV/AIDS Awareness Day 2021. I seemed to be working non-stop in my home office, and decided that, on show day, I’d load the broadcast downstairs for my mother to watch. Unsure if she would, I gave her the offer, and to my surprise she did watch.

More than that though, I was struck by how this play resonated with her.

To say that 2016 was a whirlwind for Academy-Award-winning screenwriter Tarell Alvin McCraney would be an understatement. Five years after the film release of “Moonlight,” based on McCraney’s play “In Moonlight Black Boys Look Blue,” and four years since taking home the top prize of Best Picture during an unprecedented live television mix-up—McCraney’s ascension from Liberty City, Florida, to Chair of Playwriting at The David Geffen Yale School of Drama, to creating the OWN series “David Makes Man”—now in its second season — has made the MacArthur “Genius” Grant recipient a creative force of stage and screen. In his first interview with The Reckoning, McCraney opens up about his queer identity, collaborating with director Barry Jenkins to create a masterpiece, being awkward and reveling in going unnoticed on the street, and reactions to the last 20 minutes of “Moonlight,” and why much of it, for him, was troubling.

Prentiss Matthews III is a playwright, director, actor, and singer who made quite an impression after we met a few months back. I wanted to learn more about his work, artistic vision, and his approach to his craft. He graciously agreed to sit down and chat with me. Here is what we discussed.

“This is our time. This is our moment. We are at a very critical juncture as a country and as Black people we’ve always been at a critical juncture, but at this moment I believe that things are shifting.” Devin Barrington-Ward speaks to Charles Stephens for The Reckoning.

Today, December 1, 2020, is World AIDS Day. And as we reflect on the lives lost to the ongoing HIV/AIDS epidemic, we also celebrate the resiliency of those living and thriving with HIV. Michael Ward, 34, is one of those individuals. In a year rife with devastating loss, global financial instability, food insecurity, mental health challenges, and a lack of national leadership in response to the coronavirus pandemic, many Americans were forced to navigate life in unfamiliar ways and with varying degrees of success. Ward, whose public profile increased in 2020 is no exception. As the host of CNPs “Revolutionary Health,” a weekly Facebook Live series focused on the health of Black queer men, and as co-creator of “Black, Gay, stuck at home,” a virtual film series centering Black LGBTQ stories and filmmakers, not only is Ward’s visibility increasing, but his vulnerability and willingness to speak about his experience of being a Black gay man living with HIV is as well.