On this podcast episode Johnnie Kornegay chats with Singer, Songwriter, Producer and Arranger Donnie about his album The American Mythology, and his personal journey to liberation.

This conversation was taped on June 20, 2016.

World AIDS Day occurs annually on December 1. It is a worldwide opportunity to unite all of us in the fight to eliminate HIV, honor those we've lost, and show support for people living with HIV. For me, this day represents a time for reflection and action. This year I'm reflecting on how much the music of my childhood continues to impact me.

Three Black gay men—a Pulitzer and Tony Award-winning playwright, a Tony award—nominated actor, and a possible future Grammy award-winning singer/songwriter— are having the time of their lives professionally and creatively. And to some extent, they credit the coronavirus pandemic.

Rob Milton, 33, is one of them.

While pundits and social scientists have debated whether the pandemic has led to a “Great Revelation” of some sort, Milton, and others, credit the pandemic with giving him the motivation needed to have the career he always wanted.

“I have pretty much surrounded myself with people who are creative, and post-pandemic, a beautiful thing has happened,” Milton told The Reckoning. “In some respects, the pandemic leveled the playing field. It caused a lot of the people I know to stop and think about how important it is to do the thing or things you are called to do.”

In 2023, hip-hop turns 50, and in 2022 it’s time to give Common his flowers. It was 20 years ago that the Chicago native and conscious MC bravely denounced his previous homophobia on “Between Me, You & Liberation,” a track from his 2002 album “Electric Circus.”

We’re days away from closing out Pride Month, but we’re not letting this unwelcome fact slow down our celebration or our steady march toward the dance floor. The Reckoning has created the ultimate DIVAS! #Pride 2022 playlist to keep the party going beyond June 30th.

As the temperature heats up, so do the cultural programs offered by CNP and our partners. As the only Black, gay nonprofit committed to using storytelling to shift narratives about the lives of Black gay men to influence policy and save lives, our mission is deeply embedded in the stories, events, and national observances filling our calendar over the next few months. We’re excited to share a preview of some of the hottest CNP events that we hope you will add to your summer calendar. They are curated to inform, entertain, and celebrate the Black LGBTQ+ community. At CNP and on The Reckoning, we believe in elevating the best of who we are. These events reflect the brilliance that we hold. We hope to see you there!

A decade ago, Gerrick Kennedy was unexpectedly thrust into the spotlight.

He was in Los Angeles covering the annual Clive Davis Pre-Grammy Party. He had worked feverishly to convince his editors that it was worth covering the reunion of Brandy and Monica. They were set to perform their newest duet, “It All Belongs to Me.” It was their first performance together since the release of their Grammy award-winning hit, “The Boy is Mine.”

He was sitting with the ladies and Davis when out of the corner of his eye he saw her; one of his biggest idols, Whitney Houston. She had appeared from out of nowhere. The next day, news broke that she had died in the bathtub of her hotel room.

“I was thrust into the spotlight because I was on the scene that weekend,” Kennedy told The Reckoning. “To get a story like that! That was a breakout year for me.”

Singer and “artivist" Mykal Kilgore says, in many ways, he feels like he is starting over. Having achieved success on Broadway (Motown The Musical, The Book of Mormon, HAIR!) and television (The Wiz Live!, Jesus Christ Superstar Live In Concert), Kilgore made history in 2021 when he became the first openly queer singer to receive a Grammy nomination for Best Traditional R&B Performance. Now, Kilgore is laser-focused on his budding recording career and “The Man In The Barbershop Tour,” which kicks off in Atlanta on February 3 at Vinyl.

It feels appropriate that he would begin his 13-city east coast tour in Atlanta now that he’s a new resident. Kilgore’s sit down with The Reckoning was his first matter of business and official welcome to the South after getting settled into his new Atlanta address. Without hesitation, he made it clear why he chose to make Atlanta home.

Since 2009, Kandi Burruss has opened up her life to millions of viewers across the country on the hit Bravo reality show The Real Housewives of Atlanta. But long before she became a crossover success, the Grammy award-winning producer was already a household name among Black audiences as a member of 90s R&B group Xscape. Over the last decade, Burruss has displayed her unwavering public support of the LGBTQ+ community on camera and off, endearing her to legions of Black LGBTQ+ fans—one of whom started as an admirer and has become a frequent collaborator and friend—queer recording artist and choreographer Victor Jackson.

Lil Nas X is a self-affirming Black gay millennial, a megastar still rising, and an impresario of social media. His releases shatter sales and streaming records. His videos and live performances display unambiguously queer Black sexiness before mainstream audiences.

If you were unfamiliar with DaBaby (born Jonathan Kirk) before July 25, 2021, you’re likely all caught up on who the rapper is by now. Born in 1991 in Cleveland, OH, and hailing from Charlotte, NC, DaBaby rose to fame in 2018 and has since been a mainstay on mainstream urban radio.

Victor Jackson deserves your attention. Throughout much of the pandemic, the quadruple threat (singer, actor, choreographer, creative director) never stopped creating. Over the last year, Jackson has longed for the moment supporters of his latest EP, “Man. Muse. Magic.” could convene in the same space for a live performance absent the threat of COVID-19. On July 28, at Parlor, a Black-owned bar and performance space in downtown Atlanta, he partially got his wish. Jackson kicked off “Man. Muse. Magic. neat,” an intimate live performance residency scheduled to run once a month through November.

According to the New York Times, I Was Born This Way, released in 1975, is “the first record to feature lyrics about being an out-and-proud gay man.” At face value that statement is significant, but when you look further, it has a much deeper meaning. Here’s the truth: Charles Valentino (then known by the mononym “Valentino”), a Black gay man, sang the first record to feature lyrics about being out and proud. The lyrics were written by Bunny Jones in 1971, a Black woman. CNP plans to honor the legacy of this groundbreaking song in LIBERATION: Remembering I Was Born This Way—a two-part event kicking off in July.

On June 25, 1996, Meshell Ndegeocello released her sophomore album Peace Beyond Passion, and “Leviticus: Faggot”, released the day after my 19th birthday on May 21, 1996, was one of the lead singles. The sky opened and the way I listened to music shifted.

If Kipper Jones, 59, could go back in time to give himself advice, the celebrated songwriter and vocalist says he would simply say, “don’t be afraid.” For the man who famously penned hits for Vanessa Williams (“The Right Stuff,” “Comfort Zone'') and Brandy (“I Wanna Be Down,” “Brokenhearted”) that catapulted their careers and made them superstars, Jones has spent most his life running towards success and running away from himself. As a self-identified same-gender-loving man, Jones often wrote about love in songs that shot up the Billboard Hot 100 chart, while denying himself the experiences in his lyrics.

Before Lady Gaga released her gay anthem “Born This Way” in 2011, singer Carl Bean, an openly gay Black man signed to Motown Records released the soul-stirring disco gay anthem “I Was Born This Way,” 34 years before it was in vogue to be anything other than heterosexual publicly, or even an LGBTQ+ ally. The gay-affirming single, which cracked the top 20 on the Billboard charts is one of many groundbreaking achievements by Bean—the recording artist turned social justice activist and minister with deep roots in the Black Pentecostal experience, dating back to his childhood at Providence Baptist Church in his native Baltimore, Maryland.

Victor Jackson’s father tossed his first pair of ballet shoes into the trash. It was a failed attempt to derail his son’s desire to study dance, restrict access to what he believed to be queer affirming spaces, and to suppress a noticeably burgeoning queer identity. It didn’t work. But that didn’t stop his minister father from trying, nor did it extinguish Jackson’s fire for an artform that would catapult him into his purpose. When Jackson saw his ballet shoes in the trash, which were purchased at Goodwill and gifted to him by his babysitter, he said he knew that he’d be solely responsible for finding ways to receive the training he needed and to create ways to learn and to lean into his passion.

The first time Lauryn canceled on me, she had a legitimate excuse. I was in the middle of my junior year of Montclair High. The African American Awareness Club’s faculty advisor had a connection to Lauryn’s family, and had arranged for her to attend a meeting one afternoon.